clip: PBS’s Craft in America

R: Thomas Mann (Mark Markley photograph), L: TM's Container heart pin (Will Crocker photograph)

When I first saw the PBS series Craft in America back in 2007 or so, I assumed it was a one-off run of hour-long episodes exploring themes in art, using mini-profiles of artists working in various media across the United States.  Each hour took a particular theme, like roots, materials, processes, heredity, geography and motivations, and looked at artists’ relationship to the theme.

Happily, I discovered the series has continued. A repeat I stumbled upon on May 24 episode was called Messages, and it profiled

• a glass maker whose specialty is still life,witchy and enormous and wild still lifes
• a New Mexican wood carver who began making “santos” or saints in the tradition of his Spanish and Indian forebears and then moved into a series that puts saints in the traditional context via classic automobiles with excrutiatingly exacting religious iconography,
• a bead artist who has fused the visual storytelling heritage of quiltmaking into bead sculpture, and
• Thomas Mann, a New Orleans, metal sculptor, found-object revisionary, jewely maker and whose words about art captured my heart for their simple and powerful definition of what constitutes art and art making. Here’s what he said.

“I hardly ever use the words craft artist to describe myself. I just use the word artist. to me being an artist is about expressing yourself and manifesting objects out of your creativity that other people acknowledge as being important to them in some form or fashion and are willing to support your efforts to continue making them.”

I guess you might have had to be there, but watch this series online, via the link above or here, or if web TV is not your thing, check your PBS listings for this show. It’s a real treat for anyone who loves art as much as the act of making art and the even finer act of being able to talk about making art.

For the advance class, who are intrigued about Thomas Mann, here is a map of his works around New Orleans, part of a post-Katrina series he called Storm Cycle.
View the map: Craft in America presents STORM CYCLE: AN ARTIST’S RESPONSE TO HURRICANE KATRINA

Denise Duguay

clip: spooky web TV series Take Me Back

Al’s life is about to take a turn for the weird. I stumbled on Joe and Seth’s Web series, Take Me Back, and couldn’t stop watching. In 10 parts, each around six minutes apiece, it begins with Al, and his horrible sweater, getting increasingly perturbed about the weird guy who definitely seems to be following him around Montreal. It begins by toying, I think, with the expectation of corny badness that is not undeserved by some web video series. And then it goes strange and scary and good.

Start watching Episode One. Six minutes. What can it hurt?

Denise Duguay

snap January 2010: hot dog in Prague with Philip Bloom

Prague is a gorgeous city, with its castle and saint-studded Charles Bridge and astronomical clock in the Old Town and twisty roads and wine bars… And street vendors who sell boiled corn on a stick. Best street food I’ve ever had: cob of corn on a shivery cold street in one of the fanciest cities in the world. Or my known world at least.

But what am I doing prattling on about things better seen than described?

Filmmaker/photographer Philip Bloom was messing about with the video option on a fancy new still camera called the Canon 1D Mark IV. He and a pal with a hot dog jones shot video around Prague. The result shows the incredible video capacity on this camera, but that matters only to the pro photographers and other nerds in the crowd. For the rest of us, it shows an amazing video postcard from Prague, the highlight of which involves a hilarious swell of music, a hot dog and Bloom’s friend.

Click here to see the video (sorry, embedding Vimeo videos is beyond my wee mind right here and right now). Or click here to see the video in the Gizmodo story that caught the eye of excellent Montreal photographer S. Best, who sent me the link.

Enjoy.

— Denise Duguay